Music by burnt ears she cried
Had I not the wherewithal to desist
thus I followed; oh, I followed
her song into the hallway, and the
silhouettes on the walls, they danced
to the echo of my footsteps against the stone
and sang the whispers of the torches’ flames.
Adieu—said I to my departing companions
as I sank into the steps, foot by foot
The notes, delicate as they, twisted in the air
so generously and allowed me to lean upon them
for support as I climbed
and climbed
and climbed. Such enchantment!—
Into a grand hall was I led, with diamonds hanging
and candles flickering, in circles, in circles
but the other beauties in the room were dead
their heads wasted away from thirst and age
with their petals mourning below the tombs
I saw her at the piano, its polished sheen alight
and received quite a fright when her countenance
became and arrived before my eyes
for she was young and she was old at the same
whilst the weariness in her breath never changed.
Her hands were pale and frail
yet her fingers retained their gay diligence
and jumped and jumped from key to key
I was delirious; and implored to her
Please—I’ve been caught—mightn’t you stop
the music now?
A laugh!—from myself or from her, or from whoever
then; Forgive me—said she,
her face turned away—I wish I could
and continued thereon her eternal song.
So I sat, in the arms of her serenade
when a three count rest provided me the chance
to ask why could not she pause—
She proclaimed her certainty in stance
that if she stopped, as would everything else
Her life was the song she played
the song she played was her life
so how could she allow herself the cessation?
The diamonds hung and the candles flickered
Spoke I, and wondered why she found it to be sure—
“A feeling?
An omen? Sense?”
Oh, she simply knew, from
the tumbling she felt within her stomach
and the lump in her throat
It made it hard to breathe, she said
My pity clouded my sensibility as I felt—
but when I asked her name, and she remembered not
the fog dispersed from thought.
“Then why continue?” I cried,
“If you have not even an identity, a life!”
And I leapt from my seat in the audience
And I pried her fingers away, away from her canvas.
The diamonds hung
the candles flickered
and a subtle silence cloaked the realization
until replaced by her lamentations of an existence forgone.
Now Greyscale
Now greyscale is the shade of clouds o’er light obscuring the colors of horizon in sight the rays once spread focused on solely a spot from whence no wrong can be differed from right. Whilst sodden down minds and beaten hearts lay they sway in the light wind of day no psalms, no thoughts, no exchanges to pay Yet a sorrowful cry that whittles so slow that flakes of gold and white bud have no-say and leave body and heart with nary a way to bring back their laurels and chorus for the grey tied in-side hath naught more-- And dreams are filled with memories so few Paintings of gold that have lost their hue Feathers ruffle and wave, ride low under leaf Black wings and dry nest bring arms take siege but scattered reflections do not shelter make. The wind blows; but there is naught left to take cry they who mimic hath all still to do. Nary are the words, passionate in meaning A heightened gale, an open sail; free?-- no, but knotted and thus the white and the black are cloaked from seeing. They that have become nothing but wisps of dull smoke slip silent through our yearning fingers and memories of cold and dark are all the mind doth bespoke. The details fade away one by one left an empty frame for life itself is grey until the right comes along and gives it a brand-new hue, never the past same; But that day is rare, whilst the usual: It is only an illusion, a self-constructed delusion Created by hope; they deny, but Hope is forever greyscale and her companion, Regret, is just-- there-- wavering steam until the day passes and her eyes gleam from behind offering a deep sigh with a gaze lost yet focused a lonely figure among the wildflowers; she cries a Visit to a place with genesis long before the heavens’ seam burned cold and blue hands brush away the mist to kiss the early dew Ears turned to the twittering of the cloak’d paroquets They muse of a tired existence in a language no longer decipherable to the mind as twisted as the vines of penance wrapped around your hands The water sings--oh!-- everything is singing but his voice is hoarse and the melody a little-- just the slightest- bitter The faintest fragrance, so light that it ought not have been smelled remains.
Attempting Chinese Calligraphy with one of my own poems!

Underwing
Even on the whitest of creatures
the shadows underwing are tinted
with the vibrancy of the sky above
and the colors below their flight.
Even within the defined geometry of pillars and panes
the wings of that creature are curved
along the limitless lines of the sky above
and the webbing of all that below.

Green Leaves Are Autumn’s Child
Green leaves are Autumn’s child
All voices speak false in description
for fall is made not of a simple change of shade
but the stripping of the identity of spring
the thinning of their hollow veins
the draining of their defining blush;
Yet the praise falls upon the leftovers-
the remaining reds,
and oranges, and
yellows
And says they are finally beautiful.

A little brown chicken
A little brown chicken picks up some feathers
in her beak, left behind by peacock grand
and arranges them, so carefully, among her own
So now may she glisten with the greens,
and blues, and violets
of the bird known for his beauty and regality and ambition
She struts and totes her new coat a-round
Have you walked the imprints of a peacock? For there is
something about the height of your beak, and the
volume of your song, and the pace of your steps--
and she does know the footsteps.
Yet when alone, in dark and unseen, she undoes her -do
and is still a chicken.
Absurdist

“Transparent am I as the glass,” said the snake to the mouse at her front. “Trust, a sip you may take.” And she collected a drop of wine glistening scarlet to where it hung above her friend.
Enraptured, the mouse climbed for it, claws extended. His friend’s jaw slighted, and another droplet appeared in the same place.
He did see, then, the flame that reared its head under the snake’s own– but quiet he remained.
As the fire caught to her scales, the snake cried, “Ah, traitor! Why have you not warned me?”
To which the mouse asked: but was I the one? And off he scampered, back to his burrow, safe in the dirt.
Drawing: “Absurdist” by myself. This one was actually selected by my AP Literature teacher to be used in posters representing a school theatre production!
Twisted is the Wood of the Willow
Twisted is the wood of the willow after wind
when her tresses are swept into rough caress
and her frame contorts to figure unknown
She knows not who to blame when she bows
The gale shaping her direction as she cowers
or she who bends obedient to his instruction.
Contamination of Touch
Each instance I attempt to organize revisited is one frame
Nostalgic it could be said, reminiscence at blame
No detail have I left to find in this photograph of mine
The same names carved into the wall behind us
The same depth of breath, the same blemishes on our skin
I wonder, then, why those dimples look so unfamiliar
when days ago I could claim to have been their founder
Perchance it be I’ve no longer your face in perfect recall
but that countenance is not one I should forget; forgive me
let me recapture that visage through glossy remembrances
much have I traced our smiles with my fingertips that the ink
has erased in the swirls of my hands —ah, I fear
from features too polished have come crude wax models
your eyes, do they grow crueler by my touch? I knew them cold;
I recognize well that look, from first acquaintance
in later meetings was I greeted with a smile, but I wonder
had those ever reached your eyes?—they grow not crueler
in optimism did I fail to recognize the scorn in your laugh
Foolish, did I think those expressions happy before?
I must’ve remembered wrong, those sneers you wore.
Follow the Wisps
Follow the wisps of blue
to reach the disfigured veranda of stone
where phantom abstract slips from high
when the horned and the barred claim their distress
flames cast shadows cross skin of water
yet the light from the bright moonrise still dies.
Says the sun to the wind and the wind to the moon
“who is more powerful?”
No northern zephyr dares betray and forfeit.
Greet the night from beyond her gate
for ghostly protest hath no dictate.